Comprising blue on white oval dish with ships in open frame, dish decorated with equestrian hunter and his dogs signed CMPELL in giltwood frame, dish decorated with trout signed C. Gresley in giltwood frame, dish decorated with river landscape signed M. Crawley in giltwood frame. Approximate dimensions overall: 17 1/2 - 23 3/4 high x 17 1/4 - 19 inches wide.. Condition: Dishes with minimal wear, frames with light wear overall.
Comprising framed Chantal de Burquet plaque depicting St. George, and framed plaque depicting Christ and the Virgin Mother with Pope. St. George plaque signed Chantal de Burquet - Limoges. Approximate dimensions: St. George plaque 8 inches diameter, frame 20 high x 22 inches wide Christ plaque 5 1/2 high x 4 1/4 inches wide, frame 18 high x 16 inches wide.. Condition: Potential loss to metal rings under Christ plaque. Hairline crack to piece surrounding St. George plaque. Minor wear to frames.
The red painted face with scarifications to forehead, near ears, and to left and right of mouth, on lower face, also between the eyebrows. Eye sockets deeply carved. All, under rigid, verticalized hair, painted black. Approximate dimensions: 18 1/2 inches high, stand 22 1/2 high x 10 inch square base.. Condition: Scuffing to mask front, flaking to paint on upper lip some wear to paint throughout.
The carved wood figure with metal mounts, leather loin cloth large shell necklace may be later. Approximate dimensions: 51 1/2 inches high.. Condition: Significant wear and patina throughout. Some cracking and previous insect damage.
Comprising globular form with low waist, monochrome geometric motif drop form with polychrome serrated banded motif. Approximate dimensions: Monochrome basket 15 high x 17 inches diameter, polychrome basket 13 1/2 high x 12 inches diameter.. Condition: Light wear overall. Monochrome basket with unraveling to cover knop, somewhat lopsided.
On a later wood and metal base. Approximate dimensions not including base: 24 high x 16 inches wide.. Condition: Patina and wear throughout. Apparent metal loss towards the bottom. The nose is partially separated. One earring is loose.
Comprising a tightly woven low round bowl, and conical polychrome hat with leather mounts and straps. Approximate dimensions: Bowl 2 1/2 high x 12 inches diameter, hat 12 high x 15 inches diameter.. Condition: Some patina and minor wear throughout. The leather with some drying, wrinkling, and patina. The small central knot to the low bowl seems loose.
Two Bakota Carved Wood Objects, Sculpture and Staff
Abstracted figural sculpture mounted with copper cladding and mounts the figural staff with metal earrings and leather grip. Approximate dimensions: Sculpture 19 inches high, staff 29 3/4 inches long.. Condition: Wear throughout, patina to metal. The staff with cracking and minor loss including repair to head.
1930s - 1940s, some of the buttons late 19th Century and later. Maroon cotton velvet fabric, with sewed - on buttons in pictorial designs, including basket, windmill, willow tree by fence, star, and two hearts. The buttons range from mother-of-pearl, to celluloid from American-eagle in gilt-brass, to ebonized. Not signed. Approximate dimensions: 50 x 38, the wall hanging the iron rod 67 L.. Condition: Overall, the color of the cotton velvet is vivid there are a few losses to buttons. An unusual pictorial wall-hanging, using a willow tree and house, basket, and windmill, all known more typically as subjects of girls embroidered samplers.
Comprising a side chair pair and bergere pair, with carved giltwood frames including floral carvings to crown rail, white upholstery. Approximate dimensions: Bergeres 35 3/4 high x 30 1/2 wide x 29 inches deep, side chairs 37 1/4 high x 20 wide x 20 inches deep.. Condition: Frames with rubbing, patina, and wear to gilt. Some staining to upholstery.
Louis XVI Style Parquetry Cabinet with Porcelain Mounts
White marble top, single door cabinet with porcelain plaque, the door flanked by porcelain vasiform standards, gilt bronze mounts throughout. Approximate dimensions: 43 high x 43 1/2 wide x 17 3/4 inches deep.. Condition: Light chips to marble edges. Minor surface and finish wear throughout including minor lifting to veneer. Minor gilt loss to porcelain plaque. Patina to the bronze mounts.
Black lacquer finish with inlaid trim, brass gallery to top with brass beaded trim to edges throughout the slant front with inset red leather, opens to reveal two short drawers and storage space, cabinet to side with four drawers to interior interior sections with birdseye maple veneer additional gilt metal mounts, on casters. Approximate dimensions: 33 3/4 high x 22 1/2 wide x 20 1/2 inches deep.. Condition: Small pull-out drawer to side lacking pull, seems to get stuck. Minor loss to brass beaded trim with some pieces available. Some wear and minor loss to the black lacquer finish, mainly to the top and feet.
Overall trapezoidal form two glazed sections on lower cabinet section triangle cut pulls. Approximate dimensions: 78 1/2 high x 48 1/2 wide x 18 inches deep.. Condition: Minor surface wear and fading to finish throughout.
Two mouflon head supports, rectangular beveled glass top. Lalique, France inscribed to both support pieces. Approximate dimensions: 18 1/2 high x 51 1/4 wide x 12 inches deep.. Condition: Light scratches throughout. Missing metal wall mount for top, plates that attach to mouflon bases are included.
Art Moderne Style Silver Tray on Chrome Table Base
The round silver tray with raised edge, on four leg chrome finish heavy bases. The tray inscribed with Sterling. Approximate weight of tray: 2,790 grams.Approximate dimensions: 22 1/2 high x 20 inches diameter.. Condition: Light surface scratches to the tray. Note: The tray passed a chemical test for silver, and a scratch test did not reveal evidence of plating. However, due to the lack of traditional or conclusive silver markings we do not find it appropriate to claim the tray is sterling. Please take this into account when bidding.
Labels to the backside. Approximate dimensions: 59 high x 35 wide x 28 inches deep.. Condition: Loss to blue tiles on the front. Gaps in piping to the sides. Some surface wear throughout. Has not been tested. With key.
Mask of a horned face, with scarification patterns in two diagonal lines from nose toward lower jaw. Painted with red outline to edge of forehead and under heavily lidded eyes. The acrylic case back lined with red canvas. Approximate dimensions: Mask 15 inches high, case 21 3/4 high x 12 wide x 6 1/2 inches deep.. Condition: Mask appears to be in good condition, but has not been removed from the case. There is typical scratching and wear to the surface of the mask, with a looping hairline crack roughly 1 1/4 L. x 1 W. to forehead, below left horn.
African Carved Wood Figure Cloaked in Braided Rope
Standing male figure with antelope carved stool between his legs, the carved figure covered in a rope mesh. Approximate dimensions: 72 inches high.. Condition: Significant patina and surface wear throughout. Loss to dark encrusted material that was applied to carving on the face.
Circa 1980. Bi-chambered, multi-lobed form, bisected by a top section treated as braided hair. On square oak stand. The sculpture 16 H. x 14 W. x 11 D. on the 2 H. x 12 square base. Condition: Typical fissures, uneven appearance. To the top of left chamber, a 1/2 scratch.
The tall vase decorated with cubist style nude female figures on a blue and black ground looks to have been fired in three pieces with horizontal lines to the body evident. Approximate dimensions: 47 1/2 inches high.. Condition: Rust to seams. Crazing and minor surface wear throughout. Remnants of paper label with Maller legible.
Mary DeNeale Morgan, Still Life with Indian Basket, oil
(American, 1868-1948), Still Life with Indian Basket, c. 1920 oil on fabric, (Approximate dimensions - fabric: 24 x 42.25 inches), signed lower right, with a copy of a FACL, Inc. Treatment Summary.
Condition Report from FACL, Inc.: When the painting arrived in our lab it had 2 dented tears, pinpoint flaking in dark colors at top left, top center and along top edge of painting. UV showed very uneven old discolored varnish layer. The signature appeared covered with ochre paint, under microscope the layers were clear. First, the tears were repaired with cynoacrylate. The painting was removed from the stretcher bars, the verso of the canvas cleaned of debris, then infused with warm Beva 371 1:5 in naptha from the front and back then processed on the vacuum hot table for consolidation and remounted to original stretcher bars. The excess beva was removed from the face of the painting with naptha. The painting was cleaned/varnish and grime removal selectively with xylene, acetone, potassium methyhexyl oleate 25 in naptha and generously rinsed with naptha, fly specks and spatters were carefully scalpeled off under magnification. Damar varnish was brush applied. Minimal inpainting was preformed with Golden msa acrylics and texture applied with liquitex gel medium. A final varnish of Soluvar was applied.